Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Seoul Flowers & Trees - tribute to Lee Friedlander
SKKS - Gilles Pourtier
Le corps travesti - Michel Journiac
Lili, la rozell et le marimba / revue n°2
Temps d'arrêt - Etienne Buyse
Keywording (Post) Contemporary Art - Greta Rusttt
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Papier magazine n°06 - Coupe du monde
interférence - 2 - maycec
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Pectus Excavatum - Quentin Yvelin
Le chateau enchanté - Atelier Mclane
Assembly - Sam Porritt
Bodies in Scattered Light - Andriu Deplazes
Forsythia, Lilac and Geranium - Raffaella della Olga, Camila Oliveira Fairclough, Elsa Werth
Délié - Baptiste Oberson 







