Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Tableaux fluo - 2013-2016 - Nina Childress
The Shelf - Journal 3
Un essai sur la typographie - Eric Gill
Janitor of Lunacy - Bryan Campbell
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Délices d’Orient - Sarah Vadé
Choquer le monde à mort – Elles sont de sortie – Pascal Doury, Bruno Richard, Jonas Delaborde
Dessins pour Rugir - Virginie Rochetti
Fièvre - Ronan Bouroullec
Le chateau enchanté - Atelier Mclane
Tempête après tempête - Rebekka Deubner
Critique d'art n°56
C'est les vacances n°2 - coll. dir. Eugénie Zely
Ce qu'est ce que - Gabriel Hibert
Before Science - Gilles Pourtier, Anne-Claire Broc'h
How Many - Nathalie Du Pasquier
Sans titre - Benjamin Hartmann
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Musique pour les yeux - Johann Bertrand Dhy
Piano - Joseph Charroy
BIC011 Montes - Braulio Amado
La Romantica
Délié - Baptiste Oberson 







