Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Le corps travesti - Michel Journiac
Rasclose - Geoffroy Mathieu
Surface Tension - Tabitha Soren
IRL - In real life n°1 - Coll.
Saveurs imprévues et secrètes - Gilbert Lascault
Aristide n°4
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Regards croisés — Gekreutze Blicke - Yeloyolo
Délié - Baptiste Oberson 







