Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Aube - Caroline Bachmann
L'internationale modique (AND 3) - J-M. Bertoyas
IRL - In real life n°1 - Coll.
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Construire un lac, faire disparaître des cailloux, porter un chapeau - Damien Tran
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Tierra Mágica - Yannick Cormier, Candice Moise
Deep state - Mathieu Desjardins
Critique & création - L.L. de Mars
LSD n° 04 – A manga issue
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Dédale - Laurent Chardon
Entrez sans sonnet - Julie Redon
À partir de n°1 - Coll.
Guten Tag - Pablo Tomek
Titanic Orchestra - Julien Mauve
Slanted 24 - Istanbul
La prise - Florian Javet
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Marginalia - Clément Laigle
Tee A. Corinne: A forest fire between us - Charlotte Flint (ed.)
twen [1959–1971] 







