Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Imagos - Noémie Lothe
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Entretiens – Jérôme Dupeyrat
Wayfaring - Patrick Messina, André S. Labarthe
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
America - Ayline Olukman, Hélène Gaudy
La traversée - Magali Brueder
Pectus Excavatum - Quentin Yvelin
Keywording (Post) Contemporary Art - Greta Rusttt
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
SKKS - Gilles Pourtier
Shanghai Cosmetic - Leslie Moquin
Gruppen n°13 - Collectif
Le blanc nez - Fouss Daniel
Recto Versu - Bill Noir
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Denver Mosaic 1961 - René Heyvaert
Spécimen Typographique : No Ko - Loris Pernoux
Rasclose - Geoffroy Mathieu
La prise - Florian Javet 







