Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
La Romantica
IBM – Graphic Design Guide from 1969 to 1987
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Eros negro n°4 - Démoniak
Stéréo couleurs - Atelier Bingo
Tomber dans l'escalier - Jasper Sebastian Stürup
Photographic Fields - Joël Van Audenhaege
L'atelier partagé avec Géraldine Trubert
Critique d'art n°54
La traversée - Magali Brueder
akaBB - tribute to Roni horn
Autodrône - Divine Vizion
Radio-Art - Tetsuo Kogawa
Critique & création - L.L. de Mars
Ludmilla Cerveny - Work
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Zoom Age - Julien Auregan
Cuadernos - Henry Deletra
Strates & Archipels - Pierre Merle
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
La construction - Perrine Le Querrec
Piano - Joseph Charroy
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Wayfaring - Patrick Messina, André S. Labarthe
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
ARTZINES #3 - Tokyo issue
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Prose postérieure - Les commissaires anonymes
Gruppen n°13 - Collectif
Dédale - Laurent Chardon
Erlebnispark - Paul & Carla
L'internationale modique (AND 3) - J-M. Bertoyas
Email Diamant - Fabienne Radi
La prise - Florian Javet 







