Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Gros Gris n°4 - Duel
Titanic Orchestra - Julien Mauve
Le corps travesti - Michel Journiac
Il était deux fois - Gary Colin
Village - Julie Safirstein
Seoul Flowers & Trees - tribute to Lee Friedlander
Slanted 30 - Athens
Lili, la rozell et le marimba / revue n°2
Ilya Ehrenbourg - Et pourtant elle tourne
Modern Instances, The Craft of Photography - Stephen Shore
Flynn zine # 1 - Flynn Maria Bergmann
Sillo n°3 - Le Fauve
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Temps d'arrêt - Etienne Buyse
Holy etc. - Fabienne Radi
La prise - Florian Javet 







