Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Titanic Orchestra - Julien Mauve
Dédale - Laurent Chardon
L’île de Reil - Karine Portal
Six Months - Nathalie Ghanem-Latour
Zombie Girls 2.0 - Lucie Lučanská
PRISON MUSEUM - Nicolò Degiorgis
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Je ne peux pas ne pas - Geneviève Romang 







