Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

It was a good day - Jeremy Le Corvaisier
genital or genius - Paul
The white bird - Harrison Miller
Aurore Colbert - Marie Mons
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Plaisir Solide - Hélène Bellenger & Charlotte Perrin
Mission Control - Emir Karyo & Jan Wojda
Titties - Nour Hifaoui
interférence - 3 - maycec
Il était deux fois - Gary Colin
Le corps travesti - Michel Journiac
Boundary - Nigel Peake
akaBB - tribute to Roni horn
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Ce qu'est ce que - Gabriel Hibert
movement in squares - Stefanie Leinhos
Kriss Kross 2019 - Genêt Mayor
Optical Sound 3
Imagos - Noémie Lothe
Strates & Archipels - Pierre Merle
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Livre d'un Révélation - Chloé Ravenel
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Soundtrack/s - Rosaire Appel
Mosaïque d'asphalte - Jack Torrance
Matriochka - Fanette Mellier (3ème ed.)
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Pectus Excavatum - Quentin Yvelin
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Victor Papanek - Design pour un monde réel
Je ne peux pas ne pas - Geneviève Romang 







