Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Objets Minces - Collectif
Ce que l'histoire fait au graphisme - Clémence Imbert
Temps d'arrêt - Etienne Buyse
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
De tels baisers - Jul Gordon
Jean-Jacques a dit - Angèle Douche
Les Grands Ensembles - Léo Guy-Denarcy
Entretiens – Jérôme Dupeyrat
Bisou Magique - Coll.
Vanishing Workflows - Xavier Antin
Un essai sur la typographie - Eric Gill
Parents Must Unite + Fight – Hackney Flashers - Camille Richert, Hackney Flashers
Burning Images, A History of Effigy Protests - Florian Göttke
IBM – Graphic Design Guide from 1969 to 1987
La prise - Florian Javet
La Colombe de Kant - Alice BRIÈRE-HAQUET / Émilie VAST
Home Cinema - Sarah-Louise Barbett
Promenade au pays de l'écriture - Armando Petrucci
Strannberg – The Chauvinist Manifesto - Samuel Nyholm / Sany
Critique d'art n°55
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Zoom Age - Julien Auregan
Je ne peux pas ne pas - Geneviève Romang 







