Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Titties - Nour Hifaoui
Beuglantine s'emmerde - coll.
Crampes pâles... Mathilde Brion et Martin Lafaye
A Compilation Of Contemporary Letter Designs
Vanishing Workflows - Xavier Antin
Après la révolution – numéro 1
Retour d'y voir - n° 3 & 4 - Mamco
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Betty Tompkins - Raw Material
Je ne peux pas ne pas - Geneviève Romang 







