Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Ce que l'histoire fait au graphisme - Clémence Imbert
Watch out - Anne-Émilie-Philippe
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
It was a good day - Jeremy Le Corvaisier
La construction - Perrine Le Querrec
Carnivore - Grow
Modern Instances, The Craft of Photography - Stephen Shore
Slow Down Abstractions - Adrien Vescovi
Le dos des choses - Guillaume Goutal
Chausse-trape - Henri Crabières
Critique & création - L.L. de Mars
本の本の本 - antoine lefebvre editions,
Critique d'art n°55
Tierra Mágica - Yannick Cormier, Candice Moise
Je ne peux pas ne pas - Geneviève Romang 







