Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Aristide n°4
Revue La Ronde n°14
Inframince et hyperlié - Philippe Lipcare
Gros Gris n°4 - Duel
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Philonimo - Le Corbeau d’Épictète - Alice Brière-Haquet, Csil
AARC – Alter Architecture Research Collective n° 01
Vers Vermersch - Thomas Dunoyer de Segonzac
Red Horse - Sasha Kurmaz
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
It was a good day - Jeremy Le Corvaisier 







