Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

To Be Determined: Photography and the Future - Duncan Wooldridge
On the Soft Edge of Space - Marleen Sleeuwits
Aristide n°4
Anémochorie - Antonin Detemple
Graphzine Visages
Hiver sur les continents cernés - F.J. OSSANG
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
interférence - 2 - maycec
Ce que l'histoire fait au graphisme - Clémence Imbert
Janitor of Lunacy - Bryan Campbell
Hobo Nickel - Damien Sauvage
Holy Mountain - Maia Matches, Knuckles & Notch
Tomber dans l'escalier - Jasper Sebastian Stürup
Burning Images, A History of Effigy Protests - Florian Göttke
Do insects play ? - Johanna Tagada Hoffbeck
Boundary - Nigel Peake
Délié - Baptiste Oberson
Un essai sur la typographie - Eric Gill
Lisa Zordan . one-shot the end
Manuel pour formes et constructions nomades - Julien Rodriguez
A l'origine - Anne-Émilie-Philippe
Radio-Art - Tetsuo Kogawa
Keywording (Post) Contemporary Art - Greta Rusttt
MASKS - Damián Ortega
It was a good day - Jeremy Le Corvaisier 







