Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Saint Julien l'hospitalier Tome 1 - Claire Pedot
Pø om Pø - Kaja Meyer
Dear Paul - Paul Van der Eerden
Good Company - Paul Van der Eerden
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Bokkusu - Nigel Peake
Critique d'art n°55
Reading - Ilan Manouach
Shanghai Cosmetic - Leslie Moquin
The Tinklers Charts and Stories - LEBRUN Olivier, LEHNI Urs
L'atelier partagé avec Géraldine Trubert
Sex I - Kingué Camille
Slanted 24 - Istanbul
C'est les vacances n°2 - coll. dir. Eugénie Zely
Salt Crystal - Fabio Parizzi
The Barefoot Promise - Pierre Leguillon
interférence - 3 - maycec
MENU メニュー - Wataru Tominaga
Pectus Excavatum - Quentin Yvelin
Le chateau enchanté - Atelier Mclane 







