Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

À partir de n°1 - Coll.
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Comic Book (Untitled) - Stéphanie Leinhos
Keywording (Post) Contemporary Art - Greta Rusttt
Harry Thaler's Pressed Chair
Papier magazine n°06 - Coupe du monde
Polygone n°01 - Amour - Collectif
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
UP8 — Pour une pédagogie de l'architecture
"Maria ! I've just drawn a girl named Maria..."
☀ - Manon Demarles
Rasclose - Geoffroy Mathieu
Catalogue Art Guys - That's painting productions, Bernard Brunon
Critique d'art n°55
L'œuvre des matières - Ivry Serres
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le dos des choses - Guillaume Goutal
Schindler Manifesto
Deep state - Mathieu Desjardins 







