Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Retour d'y voir - n° 3 & 4 - Mamco
Hérésie Étiologique - coll.
MENU メニュー - Wataru Tominaga
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Paysageur n°3 - Mobiles
(page 1 et 17) - Lorraine Druon
Slanted 24 - Istanbul
IBM – Graphic Design Guide from 1969 to 1987
Mökki n°4
UPO 1 - Earth Art - Rejane Dal Bello
The Tinklers Charts and Stories - LEBRUN Olivier, LEHNI Urs
Aristide n°4
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Halogénure #04
IRL - In real life n°1 - Coll.
Strates & Archipels - Pierre Merle
Absorber les fantômes - coll
Documents relatifs à l'édition pirate du Traité du style de Louis Aragon par Gérard Berréby
CURIOSITY — David Lynch
The Shelf - Journal 3
Cuadernos - Henry Deletra
Titanic Orchestra - Julien Mauve
Les Grands Ensembles - Léo Guy-Denarcy
Philonimo - Le Loup de Hobbes - Alice Brière-Haquet, Herbéra
Sébastien - Antoine Orand
Talweg 6 - La distance
Bambi # 4 - Collectif
La mémoire en acte - Quarente ans de création musicale
Alma Mater n°1
Polyphème (d'après Euripide) - J. & E. LeGlatin
Prélude - Julien Gobled
Idoine & Sissy Hankshaw
Good Company - Paul Van der Eerden
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Sillo n°3 - Le Fauve
Le dos des choses - Guillaume Goutal
УYY - Yelena Yemchuk
Deep state - Mathieu Desjardins 







