Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Saint Julien l'hospitalier Tome 1 - Claire Pedot
Critique d'art n°56
Tanière de lune - Maria-Mercé Marçal
Roven n°4
Barrage de Sarrans - Sandrine Marc
Karbone Magazine n°8 - Parasite
Le chateau enchanté - Atelier Mclane
Buiding a wall - A book by Roméo Julien
Aurore Colbert - Marie Mons
Entretiens – Jérôme Dupeyrat
Radio-Art - Tetsuo Kogawa
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Hybrid heads - Daniela Dossi
Soundtrack/s - Rosaire Appel
Véhicule N°7 - Collectif
Je ne peux pas ne pas - Geneviève Romang
Sillo n°3 - Le Fauve
Les Grands Ensembles - Léo Guy-Denarcy
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Le corps travesti - Michel Journiac
Papier magazine n°06 - Coupe du monde
Crise de foie - Christine Demias
Revue La Ronde n°14
Pénurie - Zivo, Jérôme Meizoz
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Farandole - Jérémie Fischer
Bacon le Cannibale - Perrine Le Querrec
Gruppen n°13 - Collectif
Dear Paul - Paul Van der Eerden 







