Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Alma Mater n°1
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Hérésie Étiologique - coll.
Bacon le Cannibale - Perrine Le Querrec
Mökki n°2
Laura Mulvay - Fetichisme et curiosité
Piotr - Pierre Escot, Denis Lavant
To Be Determined: Photography and the Future - Duncan Wooldridge
Artzines #12 Provo Special
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Victor Papanek - Design pour un monde réel
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Saint Julien l'hospitalier Tome 2 - Claire Pedot
La mémoire en acte - Quarente ans de création musicale
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Burning Images, A History of Effigy Protests - Florian Göttke
Papier magazine n°06 - Coupe du monde
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Imagos - Noémie Lothe
Dear Paul - Paul Van der Eerden 







