Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Saint Julien l'hospitalier Tome 1 - Claire Pedot
The Shelf - Journal 3
Regards croisés — Gekreutze Blicke - Yeloyolo
Perles & Fracas - Bill Noir
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Hello tomato - Marion Caron & Camille Trimardeau
L'inventaire des destructions - Éric Watier
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
LSD n° 04 – A manga issue
Après la révolution – numéro 1
Roven n°4
Le dos des choses - Guillaume Goutal
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Dear Paul - Paul Van der Eerden 







