Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Comment réparer : La maternité et ses fantômes - Iman Mersal
Guten Tag - Pablo Tomek
HARTES BROT - Moritz Schermbach
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Dirty fish - Léa Abaroa
Norovirus - Orgie en mers chaudes - Claude Grétillat
Optical Sound 3
the Ghost of Weaving - Coll.
Il est si difficile de trouver le commencement - Helen Thorington
Musée des Beaux-Arts - Pierre Martel
Beuglantine s'emmerde - coll.
Spécimen Typographique : No Ko - Loris Pernoux
Revue La Ronde n°14
Pectus Excavatum - Quentin Yvelin
Le dos des choses - Guillaume Goutal 







