Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

L'arum tacheté de J-M. Bertoyas
Graphzine Visages
It was a good day - Jeremy Le Corvaisier
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Tomber dans l'escalier - Jasper Sebastian Stürup
Radio-Art - Tetsuo Kogawa
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Le dos des choses - Guillaume Goutal 







