Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Le blanc nez - Fouss Daniel
Temps d'arrêt - Etienne Buyse
Optical Sound 3
Roven n°5
Strates - Else Bedoux
Sights - Henry McCausland
It was a good day - Jeremy Le Corvaisier
Photographic Fields - Joël Van Audenhaege
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
America - Ayline Olukman, Hélène Gaudy
Travailler, lutter, diffuser – Archives militantes du Centre Grisélidis Réal de documentation internationale sur la prostitution, Genève
Prose postérieure - Les commissaires anonymes
Dear Paul - Paul Van der Eerden
Morph - Camilo García A.
Sans titre - Benjamin Hartmann
Gros Gris n°4 - Duel
akaBB - tribute to Roni horn
The Shelf - Journal 3
Dédale - Laurent Chardon
Keywording (Post) Contemporary Art - Greta Rusttt
La prise - Florian Javet
Der Erste Rotkehlchen - Le livre
fig. #6 - antithèse
Je ne peux pas ne pas - Geneviève Romang
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Good Company - Paul Van der Eerden
Saveurs imprévues et secrètes - Gilbert Lascault
À partir de n°1 - Coll.
Le singe et le bijoux - Roxane Lumeret
Seoul Flowers & Trees - tribute to Lee Friedlander
Syrtis Major - Barbara Meuli, Antoine Fischer
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
interférence - 3 - maycec
Dernier royaume - Quentin Derouet
Le dos des choses - Guillaume Goutal 







