Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Objets Minces - Collectif
De lave et de fer - Laurent Feynerou
Promenade au pays de l'écriture - Armando Petrucci
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Sans titre - Benjamin Hartmann
L'atelier partagé avec Géraldine Trubert
1994 - 2001 - Lorenzo Castore
La Romantica
Tee A. Corinne: A forest fire between us - Charlotte Flint (ed.)
Hand Smoothed - Coin Fos
Folding Space Ship - ottoGraphic
ICCMHW - Atelier Choque Le Goff
Musique pour les yeux - Johann Bertrand Dhy
La prise - Florian Javet
interférence - 3 - maycec
interférence - 2 - maycec
Aristide n°4
Introduction à l'esthétique - Nakai Masakazu
Keywording (Post) Contemporary Art - Greta Rusttt
Critique & création - L.L. de Mars
Karbone Magazine n°8 - Parasite
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Burning Images, A History of Effigy Protests - Florian Göttke
Tomber dans l'escalier - Jasper Sebastian Stürup 







