Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
SKKS - Gilles Pourtier
Le dos des choses - Guillaume Goutal
À partir de n°1 - Coll.
Burning Images, A History of Effigy Protests - Florian Göttke
Dessins pour Rugir - Virginie Rochetti
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Polyphème (d'après Euripide) - J. & E. LeGlatin
Der Erste Rotkehlchen - Le livre
Le chateau enchanté - Atelier Mclane
Cuadernos - Henry Deletra
MAN - Erik Kessels, Karel De Mulder
Tomber dans l'escalier - Jasper Sebastian Stürup 







