Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Je ne peux pas ne pas - Geneviève Romang
Critique d'art n°56
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Der Erste Rotkehlchen - Le livre
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le dos des choses - Guillaume Goutal
Rois de la forêt - Alain Garlan
Dédale - Laurent Chardon
Good Company - Paul Van der Eerden
Zoom Age - Julien Auregan
Photographic Fields - Joël Van Audenhaege
Titanic Orchestra - Julien Mauve
10 MINUTES Architects and Designers in Conversation
9 octobre 1977 - Roberto Varlez
The Shelf - Journal 3
Fluent - Laëticia Donval
Polygone n°01 - Amour - Collectif
America - Ayline Olukman, Hélène Gaudy
Cuadernos - Henry Deletra
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
La traversée - Magali Brueder
Imagos - Noémie Lothe
Dear Paul - Paul Van der Eerden
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier 







