Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Eros negro n°4 - Démoniak
Délié - Baptiste Oberson
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Le vieux père - Laurent Kropf
Vacuité 9090 - Jérémy Piningre
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Dernier royaume - Quentin Derouet
Photographic Fields - Joël Van Audenhaege
movement in squares - Stefanie Leinhos
Assembly - Sam Porritt
Umami - Ariane Vonmoos
Good Company - Paul Van der Eerden 







