Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Le chateau enchanté - Atelier Mclane
Talweg 6 - La distance
Le blanc nez - Fouss Daniel
Halogénure #04
Roven n°4
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Mökki n°4
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Bambi # 4 - Collectif
Image Canoë - Jérémie Gindre
Modern Instances, The Craft of Photography - Stephen Shore
akaBB - tribute to Roni horn
Fluent - Laëticia Donval
Piano - Joseph Charroy
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Cyclone - Juliette Chalaye
MENU メニュー - Wataru Tominaga
Échec et scotome - Jean Otth
Aurore Colbert - Marie Mons
Mosaïque d'asphalte - Jack Torrance
Jawa Tengah Combo - Fred Maillard
Ce que l'histoire fait au graphisme - Clémence Imbert
movement in squares - Stefanie Leinhos
Roven n°5
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
Critique & création - L.L. de Mars
(page 1 et 17) - Lorraine Druon
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Aube - Caroline Bachmann
Sans titre - Chris Kiss
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Poster Tribune # 11
Poèmes - Yvonne Rainer
Good Company - Paul Van der Eerden 







