Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

America - Ayline Olukman, Hélène Gaudy
Autodrône - Divine Vizion
Brush Master - Jasper "Mississippi" Travis
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Bisou Magique - Coll.
Cyclone - Juliette Chalaye
Inframince et hyperlié - Philippe Lipcare
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Imagos - Noémie Lothe
Critique d'art n°54
In The Navy - Julien Kedryna
Titanic Orchestra - Julien Mauve
Holy etc. - Fabienne Radi
Papier magazine n°06 - Coupe du monde 







