Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

A l'origine - Anne-Émilie-Philippe
Keywording (Post) Contemporary Art - Greta Rusttt
Aurore Colbert - Marie Mons
Zoom Age - Julien Auregan
Gruppen n°13 - Collectif
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Les soleils qui tournent ont des oreilles - coll.
Collective Design : Alison & Peter Smithson
akaBB - tribute to Roni horn
fig. #6 - antithèse
本の本の本 - antoine lefebvre editions,
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Tchat - Gary Colin
Eros negro n°3 - Démoniak
Gruppen n°14 - Collectif
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Papier magazine n°06 - Coupe du monde 







