Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Pectus Excavatum - Quentin Yvelin
interférence - 3 - maycec
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Délié - Baptiste Oberson
š! #39 'The End' - coll.
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Le corps travesti - Michel Journiac
The Shelf - Journal 3
Mökki n°2
Le chateau enchanté - Atelier Mclane
Der Erste Rotkehlchen - Le livre
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Rasclose - Geoffroy Mathieu
Musée des Beaux-Arts - Pierre Martel
Temps d'arrêt - Etienne Buyse
Deep state - Mathieu Desjardins
Inframince et hyperlié - Philippe Lipcare
Dessins pour Rugir - Virginie Rochetti
Le blanc nez - Fouss Daniel
Burning Images, A History of Effigy Protests - Florian Göttke
Tools #04 – Couper / To Cut
Editer l’art – Leszek Brogowski
Paysageur n°3 - Mobiles
Zoom Age - Julien Auregan
It was a good day - Jeremy Le Corvaisier
ADBC du Dessin - Jacques Floret
Strates & Archipels - Pierre Merle 







