Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Bruits - Emmanuel Madec
Musée des Beaux-Arts - Pierre Martel
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
À partir de n°1 - Coll.
Papier magazine n°06 - Coupe du monde
Entretiens – Jérôme Dupeyrat
Shanghai Cosmetic - Leslie Moquin
Bambi # 4 - Collectif
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Délié - Baptiste Oberson
Autodrône - Divine Vizion
Gros Gris n°4 - Duel
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Roven n°5
Rasclose - Geoffroy Mathieu
Zoom Age - Julien Auregan
L'internationale modique (AND 3) - J-M. Bertoyas
Strates & Archipels - Pierre Merle
Le singe et le bijoux - Roxane Lumeret
Dédale - Laurent Chardon
Titanic Orchestra - Julien Mauve
Artzines # 10 - Show & Tell #2 NY Special
Wayfaring - Patrick Messina, André S. Labarthe
Bacon le Cannibale - Perrine Le Querrec
Dernier royaume - Quentin Derouet
Illusive prosody - Alex Beaurain
Inframince et hyperlié - Philippe Lipcare 







