Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Un peu comme voir dans la nuit - Leif Elggren + CD
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
LSD n° 04 – A manga issue
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
twen [1959–1971]
Revue Les Saisons n°3
The Tinklers Charts and Stories - LEBRUN Olivier, LEHNI Urs
love forever - Victoria Hespel
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
La Vie au grand air - Alaric Garnier, Sélim Mehtar
Incipit - Aymeric Vergnon
Polyphème (d'après Euripide) - J. & E. LeGlatin
Étrangement seuls - Jean-Pascal Princiaux
Humoral Fortuities - Francesco Albano’s
La typographie des Penguin Classics - Andrew Barker
MASKS - Damián Ortega
Tupera Tupera Postcard Book
Jean-Jacques a dit - Angèle Douche
Grilles - Zelda Mauger
Plant-Based Monster Trucks - Lina Müller, Luca Schenardi
Strates & Archipels - Pierre Merle 







