Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

The Shelf - Journal 3
Vacuité 9090 - Jérémy Piningre
Jean-Jacques a dit - Angèle Douche
Bambi # 4 - Collectif
Ventoline 5 - Coll.
Ténèbres - Guillaume Soulatges
Composite n° 04
Le déclin du professeur de tennis - Fabienne Radi
Le chateau enchanté - Atelier Mclane
Illusive prosody - Alex Beaurain
La traversée - Magali Brueder
Augure - Rodrigue de Ferluc
Sans titre - Chris Kiss
La typographie des Penguin Classics - Andrew Barker
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Before Science - Gilles Pourtier, Anne-Claire Broc'h
ADBC du Dessin - Jacques Floret
Saint Julien l'hospitalier Tome 3 - Claire Pedot 







