Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Le chateau enchanté - Atelier Mclane
Délié - Baptiste Oberson
interférence - 3 - maycec
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
La traversée - Magali Brueder
Le dos des choses - Guillaume Goutal
Talweg 6 - La distance
In The Navy - Julien Kedryna
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
ICCMHW - Atelier Choque Le Goff
It was a good day - Jeremy Le Corvaisier
Tomber dans l'escalier - Jasper Sebastian Stürup
SKKS - Gilles Pourtier
Editer l’art – Leszek Brogowski
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Keywording (Post) Contemporary Art - Greta Rusttt
Turbo Decompress - Coll.
Eros negro #2 - Demoniak
Le corps travesti - Michel Journiac
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Rond-point au mammouth - Sur une idée de Veit Stratmann
本の本の本 - antoine lefebvre editions,
America - Ayline Olukman, Hélène Gaudy
Imagos - Noémie Lothe
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Hmm ! - C. de Trogoff
Photographic Fields - Joël Van Audenhaege
Il était deux fois - Gary Colin
Gros Gris n°4 - Duel
Strates & Archipels - Pierre Merle
The life of Ruben - Bernardo Sousa Santos
Aristide n°4
Saint Julien l'hospitalier Tome 2 - Claire Pedot 







