Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

America - Ayline Olukman, Hélène Gaudy
L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
Les glaciers - Lorraine Druon
Objets Minces - Collectif
The Shelf - Journal 3
Dédale - Laurent Chardon
Entretiens – Jérôme Dupeyrat
La France de tête - Lot de 4 numéros
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Gros Gris n°4 - Duel
Assembly - Sam Porritt
A l'origine - Anne-Émilie-Philippe
Échec et scotome - Jean Otth
Piano - Joseph Charroy
La construction - Perrine Le Querrec
Collective Design : Alison & Peter Smithson
Mökki n°2
Der Erste Rotkehlchen - Le livre
Rois de la forêt - Alain Garlan
Saint Julien l'hospitalier Tome 1 - Claire Pedot 







