Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Burning Images, A History of Effigy Protests - Florian Göttke
Deep state - Mathieu Desjardins
Alma Mater n°1
Wayfaring - Patrick Messina, André S. Labarthe
Revue La Ronde n°14
Konrad Becker - Dictionnaire de réalité stratégique
Mission Control - Emir Karyo & Jan Wojda
Objets Minces - Collectif
Les Grands Ensembles - Léo Guy-Denarcy
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Une livre - Christine Demias
УYY - Yelena Yemchuk
Catalogue Art Guys - That's painting productions, Bernard Brunon
Ce que l'histoire fait au graphisme - Clémence Imbert
Flynn zine # 1 - Flynn Maria Bergmann
A R N O R D I R - FLorian Marciourt
Shanghai Cosmetic - Leslie Moquin
< - Gabriel Kuri
Diario de Plantas (2 volumes) - Gabriel Orozco
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Mökki n°4 







