Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

La prise - Florian Javet
Pénurie - Zivo, Jérôme Meizoz
The Shelf - Journal 3
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Gros Gris n°4 - Duel
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
A R N O R D I R - FLorian Marciourt
Library excavations # 10 - Health and Safety
À partir de n°1 - Coll.
Crampes pâles... Mathilde Brion et Martin Lafaye
Hérésie Étiologique - coll.
Mökki n°2
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Le seuil - Quentin Yvelin
Mökki n°4 







