Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Sans titre - Chris Kiss
Délié - Baptiste Oberson
Aristide n°4
Aurore Colbert - Marie Mons
Une histoire russe - Claude Grétillat
SKKS - Gilles Pourtier
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Papier magazine n°06 - Coupe du monde
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Trous gris - Michel Vachey
Screen Printing Basics - ottoGraphics
L'inventaire des destructions - Éric Watier
Critique & création - L.L. de Mars
Mökki n°4 







