Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Denver Mosaic 1961 - René Heyvaert
Alma Mater n°1
Optical Sound 3
The life of Ruben - Bernardo Sousa Santos
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Il est si difficile de trouver le commencement - Helen Thorington
Instructional Photography: Learning How to Live Now - Carmen Winant
The Shelf - Journal 3
Buiding a wall - A book by Roméo Julien
EMERGENCY - Jérémie Gaulin, Martin Desinde, Élodie Petit, Théo Robine-Langlois, M'hand Abadou Djezairi, etc.
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Slanted 24 - Istanbul
Bobst Graphic 1971-1981 - G. Cachin ; D Fornari ; F Rappo
Join my patreon - Jooyoung Kim
Deep state - Mathieu Desjardins
Délié - Baptiste Oberson
Pectus Excavatum - Quentin Yvelin
À partir de n°1 - Coll.
La traversée - Magali Brueder
Seoul Flowers & Trees - tribute to Lee Friedlander
Critique d'art n°55
Ventoline 6 - Coll
Mökki n°4 







