Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Photographic Fields - Joël Van Audenhaege
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Pause - Coll.
LSD n° 04 – A manga issue
Norovirus - Orgie en mers chaudes - Claude Grétillat
Tanière de lune - Maria-Mercé Marçal
Inframince et hyperlié - Philippe Lipcare
Mökki n°2 







