Following on an eponymous exhibition of work by French artist Xavier Antin at Aloft at Hermès, Singapore, this independent collaboration between the publisher and artist features photographs taken by designer Gideon Kong during several visits to the exhibition. Touching on current themes such as the speculative market of decentralised digital currency and the traditional idea of speed associated with technology, Antin sets up a delicate opposition at the crossroads of technology and nature. In a dialogue between Kong and Antin, he explains how he imagined the exhibition as a kind of “slowing” space in the form of a garden; a type of nature reconstituted in a closed artificial space.
48 pages.


America - Ayline Olukman, Hélène Gaudy
Strates & Archipels - Pierre Merle
A book (untitled) - Maya Strobbe
Science of the secondary #11 - Banana
Bacon le Cannibale - Perrine Le Querrec
Délié - Baptiste Oberson
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Les Grands Ensembles - Léo Guy-Denarcy
Musée des Beaux-Arts - Pierre Martel
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Pectus Excavatum - Quentin Yvelin
Lili, la rozell et le marimba / revue n°2
Morph - Camilo García A.
本の本の本 - antoine lefebvre editions,
Modern Instances, The Craft of Photography - Stephen Shore
Roven n°5
Catalogue Art Guys - That's painting productions, Bernard Brunon
Tchat - Gary Colin
Crise de foie - Christine Demias
SKKS - Gilles Pourtier
Entretiens – Jérôme Dupeyrat
Débris N°2 - Théo Garnier Greuez
Prose postérieure - Les commissaires anonymes
Retour d'y voir - n° 3 & 4 - Mamco
Slanted 30 - Athens
The Letter A looks like The Eiffel Tower - Paul Andali
Retour d'y voir - n° 1 & 2 - Mamco
Migrant Mother, Migrant Gender - Sally Stein
Le corps travesti - Michel Journiac
Rasclose - Geoffroy Mathieu 







