A collection of 41 monoprints created by Karel Martens in 2019 and 2020, reproduced on their original size (front and back). Karel Martens: « In 2018 I received a package by mail from Pierre Leguillon with a small pile of used Japanese forms which he had found at a street market in Tokyo. An intriguing collection, printed on thin paper with a rectangular black-blue layer of carbon on the back. Initially in 2019 I started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, I eventually started printing them on the front sides as well. The closing image is related to Tokyo in a different way. » Design: Karel Martens with Roger Willems

40 recto + 40 verso

Strates - Else Bedoux
Le corps travesti - Michel Journiac
16 x 421 - Lorraine Druon
Carnivore - Grow
Slanted 30 - Athens
Idoine & Antonin Giroud-Delorme
Sillo n°3 - Le Fauve
Tchat - Gary Colin
Sans titre - Chris Kiss
Je ne peux pas ne pas - Geneviève Romang
Wayfaring - Patrick Messina, André S. Labarthe
Strates & Archipels - Pierre Merle
À partir de n°1 - Coll.
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Le dos des choses - Guillaume Goutal
La traversée - Magali Brueder
Eros negro n°3 - Démoniak
Holy Mountain - Maia Matches, Knuckles & Notch
Débris N°2 - Théo Garnier Greuez
Bambi # 4 - Collectif
Der Erste Rotkehlchen - Le livre
Cuadernos - Henry Deletra
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Prose postérieure - Les commissaires anonymes
Revue La Ronde n°14
Atopoz - Collectif
Good Company - Paul Van der Eerden
Musée des Beaux-Arts - Pierre Martel 







































