Stickers in the urban landscape engage with public spaces in a direct manner. Public space is integral to people’s ability to express and claim the right to the city, « not merely a right of access to what already exists, but a right to change it after our heart’s desire » (David Harvey, 2003). Stickers are ideal for this task, they are cheap to make, they stick to any surface and are * hard to clean. Many protest stickers are attempts to persuade, to bring attention to urgent themes, or are a form of territorial space-claiming. Whatever the goal, stickers participate in public debates transforming the public space into a bulletin board. — Matt Plezier

2 color Risography on pink recycling paper · center fold is a label sheet with 14 stickers · loop stapled · edition of 300 copies

Radio-Art - Tetsuo Kogawa
It was a good day - Jeremy Le Corvaisier
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
La prise - Florian Javet
Editer l’art – Leszek Brogowski
A book (untitled) - Maya Strobbe
Cuadernos - Henry Deletra
Off the Grid - Anna Niklova
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
16 x 421 - Lorraine Druon
Débris N°2 - Théo Garnier Greuez
Flynn zine # 1 - Flynn Maria Bergmann
Une généalogie des grandes oreilles - Lauren Tortil
Trous gris - Michel Vachey
Lisa Zordan . one-shot the end
Ventoline 5 - Coll. 









