Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Talweg 6 - La distance
ICCMHW - Atelier Choque Le Goff
Salt Crystal - Fabio Parizzi
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Keywording (Post) Contemporary Art - Greta Rusttt
interférence - 2 - maycec
Piano - Joseph Charroy
Imagos - Noémie Lothe
Grilles - Zelda Mauger
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Un essai sur la typographie - Eric Gill
The Letter A looks like The Eiffel Tower - Paul Andali
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Konrad Becker - Dictionnaire de réalité stratégique
Critique & création - L.L. de Mars
MegaOctet Verbateam
In The Navy - Julien Kedryna 





