
Friendship creates security, protection, care and togetherness where institutions fail to provide queer people with adequate support structures, or even worse, incite discrimination. Especially in the art sector, queers represent stakeholders with multiple precarious backgrounds exposed to increased economic and health pressures. This is where queer relations and networks can serve as safety nets, strategies of emotional and economic support as well as survival.
This zine is about friendship in a double sense. It is based on a long and deep communion between the editors. In addition, nine artists and collectives discuss the topic in many different ways: often overtly addressing intimacy, like-mindedness, closeness, and often vaguely, along the lines of technology, networks, and dependence.
Intended to be a space for queer artists, queer art and queer themes, Rosé puts the works at its center. It features photography, performance, design, installation, happening, painting, social media art, sculpture and drag. In this sense, Rosé can be seen as an exhibition that can be touched, picked up, taken away and shared. This is Rosé, meant to be in motion.

Critique d'art n°55
Dishes for Dolls - Ruth van Beek
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Collection - Adélaïde Gaudéchoux
Le prince et la lande - Erwan Rouselle
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Les Mains sales - Collectif
Green (or moles on a golf course) - Aslak Gurholt
Holy Mountain - Maia Matches, Knuckles & Notch
Tanière de lune - Maria-Mercé Marçal
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Calendrier 2025 - Et dire que notre terre a déjà 2025 ans - Nils Bertho
Dans la Lune - Fanette Mellier
Intérieurs - Claude-Hubert Tatot
Six Months - Nathalie Ghanem-Latour
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Karbone Magazine n°8 - Parasite
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Ellipse - Ismail Alaoui-Fdili 







