Koen Taselaar. Rollable Ramblings is the first comprehensive publication on the textile work of Koen Taselaar (Rotterdam, 1986).
The majority of Rollable Ramblings comprises reproductions of his tapestries, and zoom-ins on them. This visual component is complemented with essays shedding light on the works, and on the history of textile art in general, written by art critic Katalin Herzog.
Special edition made in collaboration with the Textiellab, the professional workshop of the TextielMuseum.
The work of Koen Taselaar is a unique universe in which only he determines the rules. He makes skillful drawings, but also clumsy ceramics and elaborate Tapestries.
Taselaar’s visual language emerged from the grey area in which text is not only meaning but also form. He expresses this in drawn puns, imaginary record sleeves or large psychedelic paintings. In search of ways to process his diverse output, he makes publications and large scale drawings, which function as flat exhibition spaces. Taselaar is continuously working to further develop his wide scope, for example by learning new techniques in several residencies.
Taselaar was nominated for de Volkskrant Beeldende Kunstprijs and has exhibited a.o. at Museum Boijmans van Beuningen Museum in Rotterdam, MMCA Changdong in Seoul, Kunstmuseum The Hague, Centraal Museum Utrecht and The State Hermitage Museum in St Petersburg.
152 pages.


Pectus Excavatum - Quentin Yvelin
Échec et scotome - Jean Otth
☀ - Manon Demarles
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Illusive prosody - Alex Beaurain
Échos - François Godin
La traversée - Magali Brueder
Holy etc. - Fabienne Radi
Cuadernos - Henry Deletra
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
How to Become the Daughters of Darkness - Coll.
La mémoire en acte - Quarente ans de création musicale
Flynn zine # 1 - Flynn Maria Bergmann
Après la révolution – Numéro 2
Tchat - Gary Colin
Gros Gris n°4 - Duel
Saveurs imprévues et secrètes - Gilbert Lascault
Après la révolution – numéro 1
Comic Book (Untitled) - Stéphanie Leinhos
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Turbo Decompress - Coll.
Retour d'y voir - n° 1 & 2 - Mamco
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Étrangement seuls - Jean-Pascal Princiaux
Photographic Fields - Joël Van Audenhaege
Bienvenue à Colomeri ! - Hécate Vergopoulo,
interférence - 3 - maycec
Rasclose - Geoffroy Mathieu
Roven n°5
La chose à l'envers - Dosoung Kim
Le chateau enchanté - Atelier Mclane
Burning Images, A History of Effigy Protests - Florian Göttke
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
It was a good day - Jeremy Le Corvaisier
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Un essai sur la typographie - Eric Gill
Good Company - Paul Van der Eerden
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Gruppen n°14 - Collectif
Tomber dans l'escalier - Jasper Sebastian Stürup
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Keywording (Post) Contemporary Art - Greta Rusttt
Talweg 6 - La distance
Éclats III - Athanor
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Alma Mater n°1
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
In The Navy - Julien Kedryna
Avec ce qu'il resterait à dire - Anne Maurel
Typologie – La tente de camping 







