Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

本の本の本 - antoine lefebvre editions,
Triptyque - Ronan Bouroullec
fil·le·s de polypropylène bleu - coll.
Marcel Proust en cinq minutes — Jackson B. Smith
Bacon le Cannibale - Perrine Le Querrec
Zoom Age - Julien Auregan
Il était deux fois - Gary Colin
Promenade au pays de l'écriture - Armando Petrucci
Entretiens – Jérôme Dupeyrat
Tomber dans l'escalier - Jasper Sebastian Stürup
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
It was a good day - Jeremy Le Corvaisier
Holy etc. - Fabienne Radi
Machiavel chez les babouins - Tim Ingold
Bruits - Emmanuel Madec
Sillo n°3 - Le Fauve
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Délié - Baptiste Oberson
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Seoul Flowers & Trees - tribute to Lee Friedlander
Un essai sur la typographie - Eric Gill
Piano - Joseph Charroy 























