Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Rois de la forêt - Alain Garlan
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Eros negro #2 - Demoniak
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Critique d'art n°56
akaBB - tribute to Roni horn 























