Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Lavalse des tambours - Paul Rey
Le vieux père - Laurent Kropf
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Imagos - Noémie Lothe
Avec ce qu'il resterait à dire - Anne Maurel
Saveurs imprévues et secrètes - Gilbert Lascault
La traversée - Magali Brueder
Polyphème (d'après Euripide) - J. & E. LeGlatin
Deep state - Mathieu Desjardins
ICCMHW - Atelier Choque Le Goff
Gros Gris n°4 - Duel 























