Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Photographic Fields - Joël Van Audenhaege
Strates & Archipels - Pierre Merle
Le blanc nez - Fouss Daniel
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Aristide n°4
Dear Paul - Paul Van der Eerden
Sans titre - Benjamin Hartmann
Critique & création - L.L. de Mars
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Aurore Colbert - Marie Mons
Gros Gris n°4 - Duel
Optical Sound 3
It was a good day - Jeremy Le Corvaisier
Cyclone - Juliette Chalaye
Wayfaring - Patrick Messina, André S. Labarthe 























