Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Un essai sur la typographie - Eric Gill
Tee A. Corinne: A forest fire between us - Charlotte Flint (ed.)
Bliss - Gloria Glitzer
Ventoline 6 - Coll
Berlin Khaltura - Iliazd
Photographic Fields - Joël Van Audenhaege
Sex Work is Work - Inmensidades
De lave et de fer - Laurent Feynerou
Underground graphic design archive Paris
Le Poisson-qui-flotte - Jérémie Gindre
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
Sex with you s**** - Melody Lu
Today’s Special - Melek Zertal & Christina Svenson
Le Parfum du Silence - Bonnie Colin
La mémoire en acte - Quarente ans de création musicale
Good Company - Paul Van der Eerden
Deep state - Mathieu Desjardins
Zoom Age - Julien Auregan
Mission Control - Emir Karyo & Jan Wojda
Aurore Colbert - Marie Mons 























